Going Deeper: Lessons from an Artist Workshop in Ireland

In May, I traveled to Ballycastle, a small village on the rugged northwest coast of Ireland, to participate in an advanced cold wax workshop at the Ballinglen Arts Foundation. The journey itself took nearly three days, but it was well worth every mile.

Ballinglen is a remarkable nonprofit organization that supports artists through fellowships, residencies, and workshops. Tucked into a quiet village with a small grocery store, a bakery, a pub, and two beautiful galleries, it has become a gathering place for artists and art lovers from around Ireland and beyond. The atmosphere encourages both focused work and meaningful conversation, creating the perfect environment for artistic growth.

The workshop, led by internationally recognized artist Rebecca Crowell, was designed for experienced painters working in cold wax and oil. Unlike many workshops that focus on foundational skills, this one challenged participants to move beyond technique and explore intention, contrast, and personal meaning within their work. We were there to learn from one another, push our practice further, and share ideas as working artists.

One day was set aside for exploring the surrounding countryside, and it was unforgettable. The landscape was dramatic and ever-changing from rocky coastlines, rolling green hills, ancient stone structures, and views that seemed to stretch forever. Everywhere we went, there was a sense of history woven into the land. Just as memorable were the people, who were incredibly welcoming and seemed to approach life with warmth, kindness, and a wonderful sense of humor.

The biggest lesson I brought home wasn't about a specific technique. It was about patience and trust in the creative process. One of the ideas emphasized throughout the workshop was that paintings develop in stages and layers. Sometimes a painting reaches a point where it feels "good enough," and it can be tempting to stop. But often there is something more waiting beneath the surface.

One painting I began during the workshop is a perfect example. In its early stages it consisted of only two colors, and many people felt it was already successful. When I returned home, however, I continued working on it; adding layers, making changes, and allowing it to evolve. The finished piece became far stronger than the original version, reminding me that growth often happens when we resist settling for what is merely good and continue striving for what is possible.

Travel, new environments, and the opportunity to learn alongside other dedicated artists always leave a mark on my work. Ireland certainly did. My approach to painting has shifted, and I am excited to see where these new ideas lead in the months ahead.

And finally, a heartfelt thank you to my husband, Steve, for keeping our two cats happy for sixteen days and never once complaining about my absence. Also, for anyone considering international travel for a workshop: the creative inspiration is incredible - but the jet lag is very real!